In a form that revolves around seeing, Apichatpong Weerasethakul seeks to meditate on the things we usually can’t. In Uncle Boonmee Who Can Recall His Past Lives, boundaries are often brought to question.

There’s an instinctive pleasure to being in sync with one’s setting. It’s when things are in flow, and each action is met with proper feedback. It’s the foot taps at a music show or the chorus of hand claps during an applause, but it’s also the walking in stride with fellow commuters and the pen taps to office ambience.

Music fears being confined into a space. To be labeled or categorized, is suffocating. That’s what makes Endless feel so liberating and soothing, even as it often traverses challenging—and seemingly disconnected—topics of war, technology, love, and so on.